Cover Reveal! The Break

Out of all the milestones there are in publishing a book, my absolute most favourite is when an author gets to reveal the cover of his/her new book. And I get to do it now! Here it is, the cover for THE BREAK out this spring! (late March or early April 2012)




I really, really love it. I think the design team at Great Plains did a fabulous job with getting the mood of the story on the cover. I especially love the colours and the blurryness of the girl's face symbolizing the fading memory of her beloved Nonna. But it's also the little things I love - like having the broken letter in the title. The Break has so many different layers of meaning - the actual spring break where Abby needs to look after her Nonna, Nonna's break from reality due to her memory issues, the breaks between family members because of illness or emotional distance. So many things to consider when pulling a cover together like this. I'm so happy with it!

I know authors have a real worry when their cover is revealed to them because so much of it is out of their control. I'm very lucky in that the team at Great Plains do really care what their authors think about a cover. I'd sent some thoughts/pictures to them and they very much captured the mood I was hoping would be invoked.

I really hope the cover draws people to pick up the book when it's released but right now I'm just enjoying staring at it. Sigh. I may just look at it all day! :)

Sometimes It's Just A Feeling You Get

There are countless books, articles, websites, magazines, courses, conferences etc. etc. where a writer can go to learn his/her craft, to study the nuances of plot and structure, to learn how to incorporate symbolism and theme, to hone pace and develop characterization and a myriad of other technical elements that make up a story. But there is one thing that a writer needs to have in their arsenal of writing tools that is not so easily studied or obtained. That mysterious thing? The gut feeling when you know a story is not working.

This feeling can't be explained very easily. At least, I can't explain it well. Maybe it can be as simple as plot points not working but plot is one of the easiest things to fix, I think. What I'm talking about is when you know you have a good main character, a great idea, the pace is clipping along and the secondary characters are interesting, and there is escalating tension, a strong climax and appropriate denouement and, still, after all that, something is just not right. It is an undefined feeling that the story is just not popping off the page - for whatever reason. It's not about the technical components of the story. Those things can be fixed. But if, as the author of your story, you are feeling a general sense of unease when you read through your pages, or apathy, or reluctance to continue writing it, if you do not feel a little flame of excitement as you read the pages you've created then something is not working on an emotional level.

The other night, I was fixing up some things for THE BREAK as we head into the final stages for it's release in the spring, and my daughter asked me, "Mom, aren't you sick of that book yet?" And I honestly could tell her, no. I really love this book and I love tweaking it to make it better and spending time with it. Sure, I'm sure I'll get sick of it (there are only so many times you can read a book through before your eyes begin bleeding) but it hasn't happened yet. And that is the sign I look for when I'm writing my stories. You don't weary of it. It still holds some special charm over you. And it's not the fact that it's being published! I had one story (paranormal) that was sent out to a few editors and did not sell. Got great feedback and all that but just didn't sell. I still love that story. I could read it again even after all this time still get a little thrill when reading it. Still smile at certain scenes and want to keep turning the pages. So it's not about selling a story that makes it more appealing to me. That doesn't matter. It's that indefineable something a story contains.

I've been working on two WIP's this past year. One is finished and I've gone through a revision with it. I thought that was the one I'd be querying with this fall. Great premise, solid characters, etc. etc. But. There's something missing. I don't know what it is yet but I don't get that FEELING. I put it aside and picked up the other WIP. Still needs work, still need to finish the last 3 chapters or so. Maybe it's not as technically ready as the other WIP. But, boy, when I started reading it - BAM! - that feeling was totally there. There was something about this one…

So, there you go. Like anything that is creative in nature a strong emotion has to be involved or it doesn't work. You can have a technically perfect reproduction of Michaelangelo's David but, from what people tell me (because I haven't seen the real thing), there is something about seeing that actual statue that makes it special. I'm sure it was the emotion that the artist infused into carving that piece of marble.

What about you? Do you get that unexplainable 'feeling' when you know a story has - or doesn't have - something?

Editors Revision Letter - Anticipation or Dread?

I've recently had a few writer friends about to publish their first books mention how nerve wracking it is waiting for the revision letter to come from their editor. I can totally sympathize because when I was waiting for the revision letter for ILLEGALLY BLONDE I truly did not know what to expect. Even when you talk to your editor beforehand and they assure you that it won't be horrible, that they are there to help you work through it, you can't help but picture a massive evisceration of your novel coming at you at some point and you being left to put the torn apart body back in some manner that won't make your book look like Frankenstein's monster. Well, even though I'm by no means an old hand at this publishing game, I am now waiting for the revision letter for my second book, THE BREAK, to come sometime in the next few weeks and this time around, let me tell you, I am totally NOT dreading it. In fact, I am completely, one hundred percent, looking forward to it. Am I nuts? I don't think so. Let me explain.

A revision letter is actually a wonderful, exciting thing to receive. It is a gift. If it's from an editor you trust and with whom you enjoy communicating it is - or should be - a fascinating dialogue about your book. If you love your book, why wouldn't you love talking about it? Dissecting it? Looking at it from different angles. Yes, tearing it apart might be hard but a good editor (and I've been very lucky to have worked with a very good editor) will give you a blueprint. Sort of like an architect and a builder working together to make this book the most beautiful house it can be. Now note that I said 'working together'. This is key. In no way could I have worked with a dictatorial process. "You must remove this scene. You will change this character from a male to a female. You must make the ending a happy one, not the tear-jerker you have now." No. Working together means that the suggestions and questions an editor has of your story should be just that: suggestions and questions. And, for the writer's part, you should be open to all suggestions and willing to answer/consider all questions. As for whether you accept or reject suggestions, a writer has the ultimate responsibility to their story. I'm not advocating a writer dutifully say: "Oh, yes. You think that scene would be much better if those secondary characters were gone? Okay. I'll do that." Don't accept changes without thinking about them and what they would do to your story.

The writer should always have a reason to accept or reject a suggestion. Do you believe, as your editor has suggested, that the secondary characters clutter the scene with too much dialogue, taking away from the emotional impact of the heroine confronting the hero? Or do you believe that having the secondary characters there, watching the train wreck of a relationship crumbling in front of them, will make the scene more impactful for the reader? Whatever you decide, keeping them or letting them go, give the reasons for your decision to your editor. It may be enough for the editor to say: "Okay. Glad we agree." or "Hmm. I didn't think of that. Maybe you're right." or "Are you sure? Because if you do keep them then…" - and the dialogue will continue.

The other reason I'm anticipating getting that revision letter is simply because I LOVE revision. I hate first drafts and I'm in the middle of one now that is beating my butt so maybe that's why I'm looking forward to working on revisions. The chance to work on a novel that is 'finished' so to speak but that will benefit from some spit and polish is exciting to me. It makes me feel like there's progress being made. It's the decorating phase of the house build. All the boring wiring, plumbing, drywall, etc has been done. Now it's time to paint, select the right furniture, place it just so to make that house really show off well (You can tell I'm in the middle of a house reno right now, can't you?:))

So, to all my friends waiting for those letters or who have just received them: embrace this part of the process, don't dread it. It means your book is getting so close to being published!! What's to dread about that?

Celebrating Cinderella Ninja Warrior and Sleeping Beauty Vampire Slayer

I'm so thrilled to help my good friend and fellow #torkidlit author Maureen McGowan celebrate the release of TWO (that's right, people, you heard me TWO) new YA books: Cinderella Ninja Warrior and Sleeping Beauty Vampire Slayer. Now if those titles aren't enough to make you run to your nearest bookstore and grab them off the shelf then the concept of having kick ass heroines save themselves instead of waiting for a prince to do it for them should get your butt in gear (hmm, I seem to be writing in a very 'kick butt' oriented kind of way. I'm already being influenced by the books). Not only do you get characters you'd want your pre-teen and teen daughter to emulate, the reader also get to choose which decisions our heroines must make along the way. Romance, adventure, humour and vampires? What's not to love?

But I have to confess, while I'm very excited about the concepts of these two books and what Maureen has done with them, I'm absolutely thrilled to celebrate the fact that Maureen is the one who wrote them. Anyone who has ever met her knows what a great personality, a wealth of writerly knowledge and a true-blue friend she is but, most importantly, Maureen is a GREAT writer. She's been nominated for the prestigious RWA Golden Heart award twice for two different books. (For those who don't know, RWA is the Romance Writer's of America. Being nominated for the Golden Heart is a very big deal folks.) Now that her first books are out everyone can get a chance to see what so many of us already know: Maureen is a true class act, a very fine writer and these will only be the first of many great stories we can expect from her. I'm always thrilled to celebrate when an author has spent years honing their craft and is finally being rewarded for their patience, perserverance and passion. Maureen has all three in spades (she may suggest her patience is over-rated)and this is a big deal for all who know and love her.

So, yeah, I'm celebrating and I hope you do too. Bring on the Ninja's and the Vampire Slayer's! Maureen's books are out! Whoo-Hoo!!!

Thoughts and Feelings on Becoming a Sophmore Author

I haven't posted much lately about my publishing journey and 'the trying to figure it all out' part (supposedly the purpose of this blog) and I feel a little guilty about that. But since this darn journey is so long and filled with so many hours of sitting by a roadside and waiting for something to happen it doesn't allow for that many scintillating and/or illuminating posts. However, as most of you heard or read about last week, I do finally have some news: my second book titled THE BREAK sold to Great Plains Teen Fiction for publication in Spring 2012!

Here's the PM announcement:
Nelsa Roberto's THE BREAK, in which a teenager is left alone during Spring Break to watch over her beloved, and increasingly forgetful, grandmother and will do anything to stop her from being sent to a retirement home, to Gregg Shilliday and Anita Daher at Great Plains Teen, for publication in Spring 2012, by Kris Rothstein at Carolyn Swayze Literary Agency. kris@swayzeagency.com

And the longer blurb found on my agency's website:

The Break. When Abby Lambert’s parents leave for an emergency Doctors Without Borders mission she knows she’ll have to give up her long-anticipated March Break ski trip with her friends to watch over her grandmother (Nona) Lucia. She doesn’t like it but if she doesn’t stay home she fears her mother will finally commit Nona to the Sunny Haven Community Retirement Home and Abby has no intention of Nona ever leaving her. So begins the craziest week of Abby’s life. She somehow agrees to help out at the very place she’s been trying to avoid – Sunny Haven. And to make her life even more stressful, she has to deal with Kyle DiLuca – the stuck up nephew of Sunny Haven’s owner. But when Nona disappears on a bitter winter night Abby discovers that assumptions aren’t always facts and intentions are only as good as what you can deliver on. Rights Sold: Great Plains Teen, Canada, for spring 2012.

So beyond being obviously thrilled that THE BREAK will be published (I truly do adore this story and the characters so much) what am I feeling about no longer being a debut (newbie) author?

Well, the most overwhelming feeling is one of GRATITUDE. I'm so grateful that Great Plains Teen and my awesome editor, Anita Daher, are behind this story and feel as passionately about it as I do. There is never a guarantee that the next book you write will be received with any enthusiasm. It's all a crap shoot, as we know. To receive the validation that people whom you respect and who know this business and see so many stories believe this one is worthwhile enough to spend their time, effort and money on is very humbling.

Gratitude is closely followed by RELIEF.

Yup, I'm relieved that I'll be published again. I have many stories inside me. I know not all of them will be published but I always have hope that the one I'm writing will be 'it'. But I'm also aware of how very, very hard it is to keep writing in the face of so many amazing books and so many talented writers out there. But as a beginning writer what I have learned is that you need to tune out a little bit of that overwhelming noise that is the publishing world. Keeping the focus on writing stories that you care about is the best thing you can do in trying to get (and keep getting) published. My personal formula for getting published (Passion + Persistence = Published) can be easily applied to Staying Published. There may be months or, more likely, years between books but all you can do is keep writing and keep that passion for writing alive.

The third thing I'm feeling is ANXIETY.

Unfortunately, this feeling doesn't stop the second time around. The excitement of knowing your words will see the light of day is always (for me, anyway) quickly followed by it's ugly sister: anxiety. The sophmore effort has a little more anxiety oomph for me as it has those extra thoughts layered in about trying to do better than your first effort. Why even bother writing if you don't learn from your past mistakes and make your next effort better? Then you start to worry are you repeating yourself? You want to keep the style and your voice consistent so that when someone picks up your books they feel like they are part of a family but, at the same time, you want to stretch and grow as a writer, even if only a little bit. Gah. I know, I know. Just enjoy the fact that it's being published, Nelsa. Sheesh.

I really liken this sophmore experience to being a sophmore in high school. You've gotten over the huge thrill and fear of starting your first year. You've bumped along, made some new friends, made some mistakes but hopefully haven't screwed up too much as you try and navigate the alien landscape before you. Now, in your second year, you kind of know what to avoid, who to trust, you don't get lost as much but there's still so much to learn, still so many things that you haven't experienced yet. It is still a long journey ahead (and you may never graduate!) but, as the old Beatles song goes: "I'll get by with a little help from my friends".

So thanks for listening to my thoughts and, as long as I keep writing, hopefully the journey will continue.

7 Words I've always wanted to say...

"I am having lunch with my editor!"

How cool is that? Anita Daher from Great Plains Publications is in Toronto today and I'm finally (Finally!) going to meet her face to face. You see, Anita lives and works in Winnipeg and I'm here in Toronto. That's a distance of ... uh, well, a really long ways away. So we've only had the chance to talk on the phone and email since we first connected back in February 2009. I feel like I know Anita very well already because she's such an open person but there's just something about meeting someone face to face that's SO important. I'm looking forward to talking with her about writing, editing, how on earth she's not terrified of jumping over fences on her horse Wager - just soaking up her knowledge and experience as a writer and teacher of writing in general.

I'm also going to meet with a new member of the Great Plains author team who lives in the T.O. area - Sarah Raymond. Sarah's debuting her YA book SIGNS OF MARTHA this spring with Great Plains. It's about a girl growing up on a cucumber/pickle farm yearning to be an artist. Since I still remember the trauma of picking prickly cucumbers at 7 am on a hot, humid, flat patch of southwestern Ontario farm country I have a feeling I'm going to identify with Martha - and her creator Sarah! It'll be so nice to have another author close by who is part of the Great Plains team.

So, yup, I'm all excited except for one thing ... what am I going to wear??